Environmental Storytelling
Esthela Calderón, David Kanietakeron Fadden, Michale Glennon, and Curt Stager
Griffiths Room 123
November 1, 6:30 p.m.
Presented in conjunction with the exhibition Listening to Water, on display at the Richard F. Brush Art Gallery from October 16 to December 9, 2023.

Esthela Calderón received her university degree from the Universidad de Occidente in León, Nicaragua, where she was born and raised. She is the author of several books of poetry: Soledad, which won the 2001 Juegos Florales Centroamericanos Belice y Panamá competition, Amor y conciencia (2004), and Soplo de corriente vital(2010), a pioneering collection of ethnobotanical poems. Her historical novel 8 caras de una moneda (2008) is about a family in Nicaragua during the years that led to the Sandinista revolution in 1979. Now in its second edition, the novel is being used in the General Education program at the National Autonomous University of Nicaragua in León. She is the co-author of Culture and Customs of Nicaragua (2008) published by Greenwood Press.
For ten years, Calderón was the technical coordinator for the International Rubén Darío Symposium, for which she regularly edited conference proceedings. She also has served as the secretary general of the Association of Nicaraguan Women Writers. She has been invited to give readings of her work throughout Central America, as well as in Spain at the Universidad de Salamanca, the Universidad Complutense, and the Universidad de Alcalá de Henares. In the United States, her poems have appeared in prestigious journals such as World Literature Today(University of Oklahoma), Translation Review (University of Texas at Dallas: special issue on new Latin American writing), and Review: Literature and Arts of the Americas (Americas Society-New York).

David Kanietakeron Fadden was born to John and Eva Fadden in Lake Placid, NY, and grew up in the tiny Adirondack Mountain community of Onchiota. In his youth, he grew up surrounded by the wild beauty of the region, by his grandparents Ray and Christine Fadden’s teachings and stories, and by his parents’ creative example and encouragement. Eva Fadden created wood sculptures, and John, a retired art teacher, was a painter and prolific illustrator.
With strong ties to both Akwesasne and Onchiota, Dave has established a solid reputation as a painter, but he is also recognized as a storyteller, illustrator, writer, and sculptor. An admirer of the Dutch and Renaissance painters, Dave finds inspiration in the old masters’ eloquent and seemingly effortless use of light. His subjects range from traditional Haudenosaunee teachings to intimate and inspired portrayals of community members. Working primarily in acrylics, he often combines fine brushwork with palette knife applications to produce luminous interpretations of Haudenosaunee youth and elders.
David also developed a mosaic-like technique that captures the complexity and dynamic vitality of contemporary indigenous identity. This expressive technique remains a distinguishing feature in some of his most popular works. Another recent direction explores a sort of reverse appropriation, with iconic works by Rembrandt, Grant Wood, and others re-interpreted and given uniquely Haudenosaunee treatment such as Girl with a Wampum Earring and Onkwehonwe Gothic.
David Fadden has exhibited his work throughout the Northeast and has received numerous commissions for illustration. Additionally, he is a sought-after storyteller. He was recently invited to re-imagine a living wetland exhibition at the Wild Center (Tupper Lake, NY) from a Haudenosaunee perspective. The new interpretation features the “Thanksgiving Address” and includes painting and audio elements.
This biography is excerpted from bluseedstudios.org.

Dr. Michale Glennon is a senior research scientist at the Paul Smith’s College Adirondack Watershed Institute. She an ecologist and studies threats to ecological integrity and watershed health. In her role, Glennon provides leadership to AWI’s scientific research program, supports high quality research opportunities for students, and advocates for AWI’s science to shape the management and stewardship of the natural resources of the Adirondack Park. She has authored more than 30 publications in peer-reviewed journals and book chapters and is a member of the editorial board for the Journal of Field Ecology. She is also a board member for the Adirondack Council and Traditional Arts in Upstate New York. Glennon obtained her B.S. in environmental and evolutionary biology from Dartmouth College, and her M.S. and Ph.D. in environmental and forest biology from SUNY-ESF.
Glennon leads the data art project Wool and Water, which blends fiber art with scientific data to create visual representations of changing water quality conditions in the Adirondacks and Lake Champlain Basin. This collaborative project uses knitting, crochet, weaving, and other fiber arts to illustrate concepts and trends related to our waterways, and to provide inspiration for their protection.

Using sediment cores from lakes to investigate ecological changes over thousands of years, particularly with respect to environments in Africa, Peru, and the Adirondacks. But I’m also interested most aspects of the natural sciences, ranging from coral reef ecology and archaeology to glacial geology and bee behavior.
I enjoy playing a wide range of guitar and banjo music styles, from traditional Irish and old-time to blues, bluegrass, rock, classical, and experimental (video of playing “Blackbird” for a feathered friend). I’ve been running bi-weekly Open Mics on campus since 1989 (Thursday nights, Hutchins Cyber Cafe, 8-10 PM), and in April I help to organize the Science Art Music Festival at the Paul Smiths VIC (http://www.samfest.org). I have also co-hosted “Natural Selections,” a weekly science program on North Country Public Radio from 1989 to 2021.
– Curt Stager
Curt Stager is a professor of biology at Paul Smith’s College and has taught there since 1987.
